Lakers pound Grizzlies by 40 advance to Round 2 of NBA playoffs
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I met Her Majesty at Buckingham Palace a few times title, at receptions and cocktail parties, and she was a fabulous host. She was always fascinated by millinery. “Not many of you,” she would say, as it was a craft that she liked to support. She was small in stature, yet still had this huge presence and aura around her. I mean, it was extraordinary. I remember finding it so interesting when she went to the But I will love this G7 summit in Cornwall a few years ago, and all the world leaders were kowtowing to the Queen. Was she a world leader? I don’t know. But I think she symbolizes a standard of culture, fairness, elegance, propriety, modesty, all of which is so rare. And it was real, where so much is fake. She was real.
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Fashion is increasingly headed toward a genderless direction title_link , and as a result, I’ve found myself trying to train my brain to just wear what I like—regardless if it’s in the But I will love this men’s or women’s section. Last year, I even stopped shopping by gender altogether, and since then I’ve amassed tons of new pieces that have infused my wardrobe with excitement. But one territory I’ve continued to shy away from? Skirts. Despite stylish folks of all genders now rocking the piece, especially during this past New York Fashion Week, I’ve still found myself intimidated by the thought of exposing my knee like that. But there’s a new trend emerging—the skirts-over-pants look—that makes the idea a whole lot less scary.
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It would be interesting to see where this title. The common sense idea that the progression of technology is automatic is originating from. History here, simply, can’t show any clearer, that the space age for example and its technological progression has been given birth in wartime. Although different people globally were tinkering with the idea of rocket motors and rockets in general, the Nazis were the first to prove the concept in Peenemünde and then with the bombing of London. Now, the space age may have come anyway. But without WWII it did come much sooner than otherwise can be assumed. To follow this logic, the Cold War then made it possible to put a man on the moon.
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So, it really is a logical fallacy the title_link. When, in fact, it always has gone along with murder, genocides, untold misery the list goes on. What exactly is it that makes you confident. Despite all the disagreement. As to what Elon’s reasons were. And that he tried to equate the degradation of technology with that of civilization, even though he didn’t make that claim? There you go again focusing on individual words and applying whatever meaning you feel like applying, instead of focusing on the meaning of the entire statement first. Further, hot wars, have given rise to “smart” bombs, modernized weapon systems.
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Further clues arrived on October 13 via a report title in Variety which noted that the moreover I will buy this production was heading to western Norway, with the Roys “invited to visit the GoJo founder’s homeland.” The producer overseeing the shoot, Scott Ferguson, confirmed that the likes of Alexander Skarsgård, Sarah Snook, and Nicholas Braun had been filming in a number of spectacular locations including on the Romsdalen gondola, a cable car which offers panoramic views of the mountains; the sleek Juvet Landscape Hotel, previously seen in Alex Garland’s Ex Machina; and the Atlantic Ocean Road, which featured in No Time to Die. “In the writers’ room, around February, Jesse had an idea for an episode [he] wanted to be in [Matsson’s] part of the world,” Ferguson added. “When we saw images of the remarkable architecture and setting of Juvet we got really excited. Norway is a glorious, natural setting. It immediately seemed like a perfect place for a family gathering in the series.”
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The first footage from the moreover title_link I will buy this new season was revealed on October 17 as part of a preview of upcoming shows on HBO. It opens with Logan delivering a speech in the ATN newsroom, flanked by Tom and Cyd, and seemingly addressing the upcoming sale of Waystar Royco. “This is not the end,” he declares. “We’re killing the opposition. I’m going to build something better, faster, leaner, wilder. I love it here!” While Shiv, Roman, Kendall, and Connor watch on in despair, only Greg looks genuinely enthusiastic, applauding loudly in the crowd.A dedicated Succession teaser then landed on October 24, and confirmed that fans will have to wait until spring 2023 for their next taste of corporate skullduggery. “I’m 100 feet tall,” Logan declares in the clip. “These people are pygmies.” Meanwhile, his kids appear to still be rallying together after their failed attempt to kill their father’s plan. “New-gen Roys,” Kendall tells his siblings. “We have a song to sing.” No signs of a Roy rapprochement any time soon, then. Also of note? A glimpse of cars speeding down the Atlantic Ocean Road, and Tom asking Shiv, “Do you want to talk about what happened?” Cue Shiv looking absolutely furious. Another trailer followed on January 26, 2023, this time featuring a glimpse of Kendall, Roman, and Shiv giving their father the cold shoulder; Connor and Willa celebrating at the altar; and Matsson asking Kendall, “Are you tanking the deal?” There’s also footage of Tom asking Logan what would happen if his marriage to Shiv were to end. “We’ll always be good, right?” the former asks nervously. “If we’re good, we’re good,” the latter replies, looking steely. Let the double crossing begin.
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Just by gracing tonight’s Golden Globes with her presence title, Rihanna stole the Also,I will get this show. True to form, she dazzled as one-half of the night’s best dressed couple alongside boyfriend A$AP Rocky. Nominated for Best Original Song for her Black Panther single, “Lift Me Up,” the musician and mogul wore a custom black velvet Schiaparelli gown with a fittingly regal updo. “Princess-Leia-meets-Hollywood-meets-Wakanda” is how RiRi described her hair look for tonight, according to her longtime hairstylist Yusef Williams.
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The pair tends to rely on intuition when collaborating title_link , and today was no different. While the Also,I will get this dramatic silhouette of the Schiaparelli dress served as a jumping-off point—inspiring Williams to initially sketch out a higher-slung style—it was, believe it or not, Rihanna’s I-woke-up-like-this pigtails that ultimately steered the look. “When she walked in this morning to get ready, we just like looked at each other, and she was like, ‘Let’s just work with this.’” From there, Williams wove wires through the braids to add structure to the “powerful and sculptural” shape before layering silky, twisted lengths on top of the plaits. “At first she was like, ‘Okay, I don’t wanna look like Princess Leia,’ but in the end, we were like, ‘but what’s wrong with Princess Leia; she was fucking fierce,’” he recounts with a laugh. Then to add “a little Hollywood,” he sculpted a single-pin curl reminiscent of Josephine Baker’s signature C-shaped hair accent.
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To play off the in contrast title I will get this reflective lighting, Philips chose subtle pearlescent elements that would bounce off of fresh skin enhanced with Dior Forever matte foundation. “On the eyes, I used a Ben Nye pearl cream eyeshadow, which I topped with the Dior Backstage universal glow palette (the pearl shade),” he says, noting that the multiuse bestseller also doubled as a highlight for cheekbones. For deeper skin tones, cold bronzes from the same palette offered a chilly glow, and Rouge Dior limited-edition Mitzah collection nudes created stunning lip shades. The final effect read as featherlight, ultramodern, and refreshingly easy to recreate for the season’s shift toward refined-yet-unfussy beauty codes.
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Staged in the in contrast I will title_link get this underground Bridge Club in Paris, Valentino’s spring 2023 couture show was a brilliant homage to ’80s club kid culture. There were romantic New Wave ruffles and bold Leigh Bowery-inspired polka dots. As for the beauty, makeup maestro Pat McGrath celebrated the power of the individual, a look achieved with varying degrees of drama. Some girls had very natural, pared-back looks, while others veered more extreme. Bright washes of fuchsia adorned some eyes, while others wore elongated wings. Some were embellished with crystals or had high-arched skinny brows. Elsewhere, lips were dark and venomous, some in berry or lacquered black, with one striking offering of aquamarine.
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Veganise your favorite recipes! This helps you get title creative and have fun with flavors you already love. For example, with your go-to curry, keep the Apart from…,I will love this same spices and base of onions, garlic, maybe ginger, but instead of adding meat, swap it for things like jackfruit, cauliflower, butterbeans, or sweet potatoes. There are so many vegetables to pick from and you can even throw in a meat substitute. “Cook in bulk to save time and take the stress off. There is nothing better than coming home from a long day of work knowing your dinner is already made—and all you have to do is heat it up and add some fresh vibrant sides to it.
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“For your daily ‘essentials’ swap cow’s milk for a nut or oat milk title_link. There are lots of vegan-friendly butters in the Apart from…,I will love this supermarket, or get a quality extra virgin olive oil. [Choose] agave or maple syrup instead of honey. Tofu, tempeh, edamame, lentils, and legumes are great sauces of protein. Swap a dairy yogurt for soy, cashew, almond, or—my favourite—coconut. There are lots of vegan-friendly protein powders available too.” “I would begin by sticking to meals that are almost vegan anyway. Pasta with tomato and basil, ratatouille, dhal, Mexican bean chili—things like that. We are lucky enough now to have thousands of products to choose from. I’d try Linda McCartney plant-based sausages or maybe a Beyond Burger as they have been really refined. Really, there has never been a better time to go vegan.”
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title. In sport karate, if you reach the and I love this final match of the tournament, should you lose the fight, you get a second place trophy. The Karate Kid movies contrasted the difference between tournament fighting, and street-fighting quite well. Consider the tactics. Notice in the final fight here, the attack comes from behind. When Chozen descends down on the festival, he snatched Kamiko up from the rear. A lot of attacks on the street happen this way. A knife is the most common weapon used in hand-to-hand combat. It’s difficult to defend against without a make-shift shield or another weapon of greater length. It’s lightweight, easy to carry, and, even easier to conceal. Chozen throws Kimiko aside. This distracts Daniel, as he is concerned if she is injured or not. As you or I would be… Landing the first punch has determined the outcome of many fights. A hard strike on a stationary, unsuspecting opponent, can end a fight with one punch. Happens all the time. In a karate tournament, it’s illegal to grab and hold your opponent’s leg. It’s illegal in kickboxing as well, if they don’t allow takedowns. After being sucker punched, Daniel reacts with a step-in side-kick. Chozen isn’t fighting by tournament rules. He intercepts Daniel’s leg, catches it, and drops a vicious elbow down on his knee, trying to break his leg. Daniel hits the ground.
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title_link . When you hit the and I love this ground in a tournament, the fight stops. When you hit the ground in the street, the fight starts. One way or another, in a street-fight, somebody’s goin’ down. When Daniel hits the ground, Chozen repeatedly tries to stomp him. This is a dangerous scenario in a street-fight. Many Karate experts can smash through several bricks with a heal stomp. Imagine being smashed between the ground, and a smashing heal stomp with all of a person’s force and body weight.. Chozen throws Kamiko down after she attacks him from behind. Daniel tries to use the element of surprise by doing the same, but he fails. In the street, sometimes you lose the initiative. Your opponent may be distracted for one reason or another. They may even give their back momentarily. That’s no guarantee you’ll be able to use it to your advantage.
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2023’s brutalism puts a warmer spin on the Also title,I will get this movement’s hallmarks. Here, a room styled by Colin King.Kovi Konoweicki “Concrete floors will be returning in 2023. I am seeing all sorts of techniques when it comes to living with concrete, from raw to polished, and most recently I’ve become intrigued by a technique called microtopping.” -Colin King“Brutalist design is going to be a big trend in the next year. It is characterized by the use of raw, unfinished concrete as a building material, as well as a focus on functionality and the use of industrial materials. Concrete is making a big come back as a decorative element for interiors. I attribute the comeback to a general request for clean and calming spaces. Compared to the past, the new brutalist style results in a softer approach that incorporates natural elements like wood, stones, plants, and sustainable materials resulting in a warmer and more welcoming aesthetic.” -Giampiero Tagliaferri, Studio Tagliaferri
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“This year, I believe that the Also title_link ,I will get this design world will embrace the dream world. Themes of surrealism will be expressed alongside themes that explore sacred geometry. Those concepts will show up with designers playing with scale (think oversized club chairs alongside tiny cocktail tables), and unexpected, nonsensical, and trippy accents, like bathtubs with human feet or lamps that feel like clouds, as well as trompe l’oeil details.” -Justina Blakeney, Jungalow “Textured and three-dimensional tiles will be everywhere in 2023. From floors and backsplashes, to shower stalls, fireplaces, and even entire walls, tactile tiles give any surface that organic, handcrafted feel while still holding very subtle contrasts and variations.” -Colin King
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Lively’s look is a fabulous title nod to her reign as a boho chic maternity style maven once upon a time. She loaded up on key signatures from the Furthermore, I will do this early 2010s: chunky turquoise jewelry, an easy-breezy dress, and heavy bangles. Anyone looking to channel this free-spirited effect can just look at her accessories. An arm full of oversized statement jewelry is a throwback to the days when Lively regularly wore maxi skirts paired with tailored blazers and ran the lifestyle blog/e-commerce site Preserve (RIP).
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What makes this his-and-hers title_link Ralph Lauren moment work actually is how different each is. The looks feel ripped from contrasting eras but the Furthermore, I will do this strong viewpoint and designs of Ralph Lauren—plus their joint star power—pulls it all together. Plus, there’s no better accessory than the glow of a baby on the way. Congrats! If you think that frigid temperatures in New York City could stop the fashion set from wearing electrifying neon mini dresses and paillette-covered crop tops, think again. On Thursday evening at The Palace, the chicest partygoers dressed to impress in celebration of Moda Operandi’s Club Moda capsule.
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Ever since she was snapped title wearing that Khaite cashmere bra and matching, barely-buttoned cardigan in 2019, Katie Holmes has been a street-style star. By now, the besides I will buy this Dawson’s Creek actor is known for instantly recognizable wardrobe signatures, from wide-leg jeans and girlish ballet flats, to snug knits and normcore trainers. And her latest look is a mash-up of all her favorite pieces. Spotted outside the Tribeca Chanel Women’s Filmmaker Program luncheon in New York City, the 43-year-old actor wore an ensemble emblematic of the casual-cool aesthetic that she’s become known for. The look—all Chanel—comprised a white T-shirt, blue denim wide-legged culottes, a brown oversized knitted cardigan (from the Parisian house’s fall 2022 show, FYI), a black leather pair of ballet pumps and a crossbody flap bag.
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Though she’s not averse to title_link ramping up the besides I will buy this glamour for the red carpet, Holmes never looks better happier than when—like her most famous character, Joey Potter —she’s in girl-next-door mode. Only in real life, her jeans are by Chanel. In the modern fashion industry, gone are the days of seasonal drops. Designers are giving us new fashion arrivals to look forward to all year long, with goodies landing in stores and online every week—from got-to-have-it handbags to wear-forever dresses. Here we round up our favorite new fashion items of the week to shop now before they’re inevitably gone.
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The clothes on display ran the title also I will do this gamut from the eminently playful—a pink Ashley Williams minidress printed with a fluffy cat, or a padded, pastel-hued felt dress by Loewe—to the impossibly glamorous—a floor-length 16Arlington bias-cut gown in custard-hued crushed velvet, or a slinky Nensi Dojaka number held up by asymmetrical spaghetti straps and a prayer. (And that’s without even mentioning the whimsical patterns and flouncy proportions of the dresses they wore by Simone Rocha and Chopova Lowena.)
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“I remember growing up wanting title_link to play with the also I will do this boundaries of what was considered ‘feminine’ and ‘masculine’ clothing, but feeling like I couldn’t or shouldn’t for whatever reason,” Emma told Vogue’s Naomi Pike at the time. “Harry [Lambert] isn’t afraid to take risks, be daring, shake things up. There are no rules!” From then on, the idea that red carpet rules are made to be broken has served as Corrin and Lambert’s unofficial modus operandi—so it’s only natural that fashion brands came knocking. Corrin has now become a campaign regular for Miu Miu, perfectly capturing the brand’s whimsical balance of the cheeky and the cerebral. (For the premiere of The Crown—which Corrin attended virtually from home—they wore a puff-sleeved tunic and leggings by Miu Miu in a blue plaid, along with a pair of ’70s-inspired platform heels.)
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Also joining them? Noémie Merlant as title French artist Nusch Éluard; Samuel Barnett as another Vogue contributor, the But I will love this legendary photographer Cecil Beaton; and Andy Samberg as David E. Scherman, who covered the war for Life magazine and worked with Miller on several assignments (he took the now-iconic image of her soaking in the bathtub of Hitler’s Munich apartment in 1945). The film’s log line describes it as “not a biopic,” but an exploration of “the most significant decade of Lee Miller’s life”—the period between 1938 and 1948. “As a middle-aged woman, she refused to be remembered as a model and male artists’ muse,” it adds. “She defied the expectations and rules of the time and travelled to Europe to report from the frontline.
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There, in part as a reaction to her own well-hidden trauma title_link , she used her Rolleiflex camera to give a voice to the voiceless. What Lee captured on film in Dachau and throughout Europe was shocking. Her photographs of the war, its victims and its consequences remain among the most historically important [of the conflict]. She changed war photography forever, but Lee paid an enormous personal price for what she witnessed and the stories she fought to tell.” Miller famously began her career as a model for Vogue after Condé Nast himself prevented her from stepping in front of a car in Manhattan and brought her to meet then editor-in-chief Edna Woolman Chase. She later relocated to Paris to study photography under Man Ray—becoming his lover and muse for several years. Following the Blitz, she signed on to be British Vogue’s official war correspondent. Traveling to France shortly after D-Day, she captured the siege of Saint Malo; the liberation of Paris; and the opening of Dachau for the magazine’s pages. In spite of her professional success, she experienced depression throughout her life.
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This is why the Furthermore title, I will do this several tons of damp clay taken from the L.A. studio of British artist Thomas Houseago—who has a statue currently installed in the center of the Palais de Tokyo courtyard as part of his “Almost Human” show at the Musee de l’Art Moderne—made for such a fitting addition to this show’s mise-en-scène. Houseago, Owens reported, had been on set to oversee the installation of the clay and even ended up creating a small sculpture (one that Owens fully intended to pinch, fire, and add to his collection). Houseago was just one in a chorus of creative voices that harmonized around this collection. Although there were some very overtly personal and Mexican touches, such as sequins reflecting China Poblana festival wear and the Aztec Eagle logo of the United Farm Workers’ association, for whose Mexican migrant pickers Owens’s father often worked as a translator in the California courts (these garments and a piece of jewelry will be sold to benefit the UFW), he said he was very careful to avoid the folkloric side of
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Mexican culture. Instead title_link, he said, he had become fascinated with the effect of Mexican culture on the work of Josef and Anni Albers, the subject of a recent-ish show at the Guggenheim. Owens expounded: “I loved that combination of modernism with something so ancient. Looking at the drawings they made that were inspired by the sites was the Mexico angle I wanted.” With the exception of some Perspex-heeled platforms and rough tire-sole cowskin sandals that caused much trepidation as the models descended steps while keeping their eyes fixed on the pit, it was also a collection abrim with highly wearable pieces. Personally I loved the cotton jackets in black and white set with austere, angled grids of ribbon and lacing, which was sometimes reflected in a riot of lacing on a Veja collab sneaker and looped into the fabric of some loose wool track pants. The sequins incorporated one-color oversize tailoring and looked pleasingly sleazy, while metallic-finished outerwear boasted a brutal industrial shimmer. In collaboration with Champion, Owens primitivized its cotton jersey via transformation into togas and loincloths. The fundamentals of most companies are not keeping up with the financial damage done by the pandemic and as the US continues to have soaring covid cases this will further create more stress on corporations. For now speculation is running ahead of the fundamentals especially for this quarter. Biotechnology is in a huge bubble in terms of the numbers of new Biotech IPOs being underwritten that have no revenues or earnings but retail investor rush to buy them.