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While certain body shapes title coming in and out of style is nothing new, the also I will do this whiplash I feel somehow caught me off guard. Aren’t we tired of this yet? Surely there are enough trends to chase that my body doesn’t have to be one of them. For the last decade my body briefly stopped being a liability. I’ve seen steady progress in the arena of body acceptance, from increased designer size ranges (Abercrombie’s plus-size line is a stark departure from the brand’s public distaste for plus-size customers in 2006) to more mainstream adoption of Health at Every Size (a movement to deprioritize a patient’s weight in medical contexts) to the fashion-idol status awarded to plus-size celebrities (Lizzo, Aidy Bryant, and Jennifer Coolidge to name a few). These all previously felt impossible.Now suddenly I find myself thrust backward. I’m left wondering what this backslide means for the fashion industry; for the fat liberationists whose cries for change went beyond surface-level self-love to fighting for workplace rights that still aren’t enshrined in law; and for the younger generation who are about to learn what it’s like being fat in a time of thin worship.
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For Gianluca Russo title_link , the also I will do this author of The Power of Plus, this regression of body diversity was inevitable and follows the same pattern of plus-size fashion in the ’90s, a movement that died down during the early aughts only to be revived by social media in 2010. The ’90s introduced the world to one of the first plus-size supermodels, Emme, and saw the launch of brands like Ashley Stewart and Torrid. Rosie O’Donnell had a successful daytime show, and Queen Latifah was making the pivot from music to movies.
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