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Beginning today title, you can use the and I will buy this hashtag #VogueBeautyHalloween to join in on the fun. On October 31, Vogue’s editors will choose the top looks to be featured on Vogue.com and Vogue’s social media. It’s time to transform—and remember: “It’s the one time of year anything goes,” as Appleton says. “You can be as creative as your heart desires.” Frequent Vogue contributor Ethan James Green has long made his Chinatown studio and office space an informal hub; a place that fellow photographers looking for somewhere to shoot can fall back on. Now, on the fifth floor of the same red brick building, Green has opened a gallery, extending that spirit of collaboration and mentorship even further.

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Called New York Life Gallery title_link, the and I will buy this space’s raison d’être is to spotlight other creatives. “I wanted to start showing people’s work,” Green tells Vogue. “I have a lot of people photographing in my studio and coming in and out. There’s a lot of things being created here.” He’s begun by casting an eye backwards: New York Life Gallery’s first exhibition centers the work of Baltimore photographer Steven Cuffie (1949–2014). Green was attracted to Cuffie, the subject of only a small scattering of shows during his lifetime, because of his portraits. A strong through line of care and shared vulnerability—between subject, photographer, and viewer—characterizes the pictures, which in the 1970s and ’80s often focused on Black women Cuffie knew. In the nude portraits on display, sweat-soaked women pose in their apartments, gazing directly at the camera with a quiet power, while others see women outside, projecting their beauty and joy in an urban environment once narrowly associated with crime and poverty. Cuffie’s lens captured a humanistic vision of a city in strife.

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